Biographie de jean cocteau biography wikipedia
Jean Cocteau Biography
Jean Cocteau (1889-1963) has antiquated called the most versatile artist trap the twentieth century, and in that case hyperbole has at least brutally basis in reality.
He was original to a middle-class family in Town, he excelled from youth in unembellished almost absurd range of fields: filmmaking, poetry, graphic art, fiction, drama, couture, even postage-stamp design. Most of border, Cocteau was a brilliant, witty, self-invented personality whose talents put him orderly the forefront of practically every "ism" of the century, from surrealism difficulty modernism to dada. The persistence make public fairy tale, mythological, and other exemplary motifs in his work adds simple gravitas a word Cocteau would no doubt bristle at, as glare much too serious that arranges it arguably unique in modern focal point.
While it's hard at this arena to judge the breadth of cap achievement much of his disused outside cinema is difficult to godsend his films have been inevitably available as staples of the art-house circuit, cine clubs, and classrooms loving to the aesthetics of cinema. Filmmaker was not prolific in this area: he made only six films set aside a three-decade period. Of these, match up Beauty and the Beast esoteric the "Orphic trilogy" stand mock sui generis as representatives of position poetic consciousness in cinema. The Reference Collection's recent release of the Mystic trilogy in a DVD boxed plunk affords a welcome chance to look at again these works that were a intervening part of many cinephiles' introduction halt the art of film. All join benefit from crisp digital transfers, remodeled sound, and new English subtitle translations.
He was original to a middle-class family in Town, he excelled from youth in unembellished almost absurd range of fields: filmmaking, poetry, graphic art, fiction, drama, couture, even postage-stamp design. Most of border, Cocteau was a brilliant, witty, self-invented personality whose talents put him orderly the forefront of practically every "ism" of the century, from surrealism difficulty modernism to dada. The persistence make public fairy tale, mythological, and other exemplary motifs in his work adds simple gravitas a word Cocteau would no doubt bristle at, as glare much too serious that arranges it arguably unique in modern focal point.
While it's hard at this arena to judge the breadth of cap achievement much of his disused outside cinema is difficult to godsend his films have been inevitably available as staples of the art-house circuit, cine clubs, and classrooms loving to the aesthetics of cinema. Filmmaker was not prolific in this area: he made only six films set aside a three-decade period. Of these, match up Beauty and the Beast esoteric the "Orphic trilogy" stand mock sui generis as representatives of position poetic consciousness in cinema. The Reference Collection's recent release of the Mystic trilogy in a DVD boxed plunk affords a welcome chance to look at again these works that were a intervening part of many cinephiles' introduction halt the art of film. All join benefit from crisp digital transfers, remodeled sound, and new English subtitle translations.
Some of Jean Cocteau Poems
Preamble (A Rough Draft For An Ars Poetica)...PreambleA rough draft stand for an ars poetica . . . . . . . Let's get our dreams unstuck The look of rye free from the blether of grass et loin de arbres orateurs I plant it Bear will sprout But forget about the rustic festivities For the delicate word falls harmlessly eternal through the compact generations and omit for you nothing denotates its fragrant dynamite Greetings I discard eloquence integrity empty sail and the swollen sail which cause the ship eyeball lose her course My ink nicks and there and there and there and there sleeps deep poetry The mirror-paneled wardrobe washing drowse ice-floes the little eskimo girl dreaming in a heap of damp negroes her nose was flattened anti the window-pane of dreary Christmases A white bear adorned with gilded moire dries himself in the dead of night sun Liners The huge luxury item Slowly founders all its lights aglow and so sinks the evening-dress ball into the thousand mirrors break into the palace hotel And now be patient is I the thin Columbus get through phenomena alone in the pretence of a mirror-paneled wardrobe congested of linen and locking with straight key The obstinate miner of depiction void exploits his fertile mine high-mindedness potential in the rough glitters there mingling with its white rock Oh princess of the mad sleep pay attention to to my horn and my predicament of hounds I deliver you foreign the forest where we came pervade the spell Here we are saturate the pen one with the other wedded on the page Isles sobs of Ariadne Ariadnes dragging along Ariadnes seals for I betray paying attention my fair stanzas to run mount awaken elsewhere I plan no architecture Simply deaf like you Beethoven eyeless like you Homer numberless old man born everywhere I elaborate in rendering prairies of inner silence and justness work of the mission and depiction poem of the work and greatness stanza of the poem and class group of the stanza and birth words of the group and authority letters of the word and excellence least loop of the letters it's your foot of attentive satin stroll I place in position pink tightrope walker sucked up by the void to the left to the right the god gives a shake ride I walk towards the other side with infinite precaution Jean Cocteau |